On Sunday 2 November, Britten Sinfonia and Thomas Adès return to Saffron Hall, this time with violinist Pekka Kuusisto, to perform Adès incredible Violin Concerto. Also on the programme is the world premiere of a new work by young Spanish composer, Francisco Coll. Entitled Four Minatures, the piece will be conducted by Thomas Adès and is Saffron Hall’s second-ever commission (co-commissioned with Britten Sinfonia).
Francisco Coll studied at the Valencia and Madrid Conservatoires before moving to London as a private pupil of Thomas Adès (his only pupil to date), and a student at the Guildhall School of Music and Drama. In this blog post we find out a little more about the piece he has written. Musicologist Ramón Sánchez Ochoa reveals all:
In the second miniature’s slow introduction, double and triple-stops stretch the violin’s torn voice which seems to both state and retract, reaffirm and refuse. After the rhythmic dissonances their tortured tango rhythm arises – not a tango de salón but an X-ray (the magnetised resonance) of an expressionist tango with all its coarse rhythms and cadences. After the storm comes the calm: following its initial arpeggios of the third miniature a lament for the violin arises before being gradually torn apart by glissandi. Of all the four pieces this is the one steeped most deeply in flamenco, with its augmented-second leaps which positively smack of the Andalusian cadence. Like a fine spring rain, the melodic line is diluted between the figurative and abstract (if these words have any meaning at all in music): it is a subtle pointillism between the known and the unknown, between what is said and what is guessed.
A frantic wind crosses the work’s final pages: brief repeated cells, like movie frames stuck in a deranged projector, move from near-inaudible pianissimos to the most extreme fortissimo, contrary and unrequited impulses that arise from the negation of their selves. Bar by bar, an imperfect circle surrounds, envelops and intoxicates us, carrying us with it. The Four Miniaturesrun like lightning. After the final notes we are left perplexed and fascinated by the distance between lyricism and harshness, between the fog and the foreground, poised on that thin, flinty edge that separates the serious from the comic.
Thomas Adès conductor/piano
Pekka Kuusisto violin
Thomas Adès Piano Quintet
Thomas Adès Violin Concerto ‘Concentric Paths’
Francisco Coll Four Miniatures (Saffron Hall co-commission: World premiere)
Stravinsky Suite No.1 for Small Orchestra
Sibelius Six Humoresques